{"id":1426,"date":"2021-10-12T21:19:57","date_gmt":"2021-10-12T19:19:57","guid":{"rendered":"http:\/\/www.ceccomori.it\/programs-and-repertoire\/"},"modified":"2022-01-04T11:33:33","modified_gmt":"2022-01-04T10:33:33","slug":"programs-and-repertoire","status":"publish","type":"page","link":"https:\/\/www.ceccomori.it\/en\/programs-and-repertoire\/","title":{"rendered":"Programs and repertoire"},"content":{"rendered":"

[et_pb_section fb_built=”1″ custom_padding_last_edited=”on|desktop” admin_label=”section” _builder_version=”3.22″ background_image=”http:\/\/www.ceccomori.it\/wp-content\/uploads\/2015\/04\/ceccomori_slide_6.jpg” custom_padding_tablet=”50px|0|50px|0″ custom_padding_phone=”” transparent_background=”off” padding_mobile=”off” make_fullwidth=”off” use_custom_width=”off” width_unit=”on” global_colors_info=”{}”][et_pb_row column_structure=”1_2,1_2″ admin_label=”row” _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”3.25″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text admin_label=”Text” _builder_version=”3.27.4″ text_font=”|on|||” text_font_size=”18″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” background_layout=”dark” custom_padding=”60px|||” custom_css_main_element=”line-height: 1.9em;” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]Andrea Ceccomori and Ensemble Assisi Suono Sacro
\n[\/et_pb_text][et_pb_text admin_label=”Text” _builder_version=”3.27.4″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” background_layout=”dark” custom_padding=”||60px|” custom_css_main_element=”line-height: 1.9em;” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n

Il musicista ispirato e illuminato<\/em><\/h4>\n

Andrea Ceccomori created the guide lines, that form an inspirated and enlightened musician, which can be summarized in the following key musical concepts identifiable in 7 consequential phases: spiration, intonation, moneme, poor sound, improvisation, I play, harmonia universalis.<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”3.25″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ custom_padding_last_edited=”on|desktop” admin_label=”section” _builder_version=”3.22″ background_image=”http:\/\/www.ceccomori.it\/wp-content\/uploads\/2015\/04\/ceccomori_slide_7.jpg” custom_padding_tablet=”50px|0|50px|0″ custom_padding_phone=”” transparent_background=”off” padding_mobile=”off” make_fullwidth=”off” use_custom_width=”off” width_unit=”on” global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ admin_label=”row” _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”3.25″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”http:\/\/www.ceccomori.it\/wp-content\/uploads\/2015\/04\/space.png” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” admin_label=”Image” _builder_version=”3.23″ use_border_color=”off” border_color=”#ffffff” border_style=”solid” sticky=”off” always_center_on_mobile=”on” global_colors_info=”{}”] [\/et_pb_image][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”3.25″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text admin_label=”Programmi” _builder_version=”3.27.4″ text_text_color=”#6c6662″ text_line_height=”1.8em” background_size=”initial” background_position=”top_left” background_repeat=”repeat” background_layout=”dark” custom_padding=”40px||60px|” use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]It is not a teachig method, but a laboratory where new possibilities for the musician of today are experimented, with the purpose to find<\/em>your own inspiration and to play with feelings and passion. <\/em>This lab is not about learinig the technique, that remain specific for the instrumentalist or composer, but it want to to find the reason of making musica, the push for playing, the direct relationship between the feeling and the playing, that is translate feelings into music. <\/em><\/p>\n

For more information www.batonforpeace.org<\/a> or write to: andrea@ceccomori.it<\/a><\/em>
\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ custom_padding_last_edited=”on|desktop” admin_label=”section” _builder_version=”3.22″ background_color=”#1c1e1f” custom_padding=”60px|||” custom_padding_tablet=”50px|0|50px|0″ custom_padding_phone=”” transparent_background=”off” padding_mobile=”off” make_fullwidth=”off” use_custom_width=”off” width_unit=”on” global_colors_info=”{}”][et_pb_row padding_mobile=”off” admin_label=”row” _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” make_fullwidth=”off” use_custom_width=”off” width_unit=”on” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”]

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Dossier on intuitive music<\/a><\/h3>\n\t\t\t\n\t\t\t

Dossier on intuitive music archival material by Giancarlo Campilli<\/p>\n\t\t\t<\/div> \n\n\t\t\t

\n\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\"Flute\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t<\/a>\n\t\t\n\t\t\t\t\t\t\t

Flute and DJ<\/a><\/h3>\n\t\t\t\n\t\t\t

Flauto e DJ di M.Bilancioni, R.Costantino, A.Ceccomori: Goviana, Softly hard, Ferro dub, Tango, Last song, Beyond due, Barcarola due, Minimum Bach<\/p>\n\t\t\t<\/div> \n\n\t\t\t

\n\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\"Mixed\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t<\/a>\n\t\t\n\t\t\t\t\t\t\t

Mixed contemporary ensamble<\/a><\/h3>\n\t\t\t\n\t\t\t

Mixed contemporary ensamble * : First performance; ** : Dedicated to Andrea Ceccomori A. CECCOMORI: Divertimento (fl.pf,vc) A.CECCOMORI, A.COCOMAZZI: Bachiana A.CECCOMORI, A.COCOMAZZI: Onde A.CECCOMORI, A.COCOMAZZI: Mariposa A.CECCOMORI, A.COCOMAZZI: Rota A.CECCOMORI, A.COCOMAZZI: Menuet A.CECCOMORI, A.COCOMAZZI: Alternative A.CECCOMORI, A.COCOMAZZI: Arcaica A.CECCOMORI, A.COCOMAZZI: Nordica A.CECCOMORI, A.COCOMAZZI: Jumpers A.CECCOMORI,A.COCOMAZZI Holograms (fl,vl,vc,pf) A.CECCOMORI,A.COCOMAZZI Lila (fl,vl,vc,pf) A.CECCOMORI,A.COCOMAZZI neverending Love (fl,vl,vc,pf) A.CECCOMORI,A.COCOMAZZI […]<\/p>\n\t\t\t<\/div> \n\n\t\t\t

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Flute and viola<\/a><\/h3>\n\t\t\t\n\t\t\t

Flute and viola * : First performance E. MORRICONE, 3 Duets P. HINDEMITH, Enthusiasm G. PH. TELEMANN, Duet in b. G. PH. TELEMANN, Sonata in la major * M. PORRO Onde di Carta (2007) B.BEGGIO Ora (2007)con pf B BEGGIO Di prima mattina (2007) con pf<\/p>\n\t\t\t<\/div> \n\n\t\t\t

\n\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\"Wind\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t<\/a>\n\t\t\n\t\t\t\t\t\t\t

Wind trio (flute, oboe and clarinet)<\/a><\/h3>\n\t\t\t\n\t\t\t

Wind trio (flute, oboe and clarinet) * : First performance *Vittorio FELLEGARA, Winterrequiem *Federico ERMIRIO, Apud Lumen Giacinto SCELSI, Rucke di Guk Giacinto SCELSI, Ko-Lho Aldo CLEMENTI, Tre piccoli pezzi Aldo CLEMENTI, Triplum Elliot CARTER, Canon Goffredo PETRASSI, Tre per sette Bruno MADERNA, Serenata per un Satellite *Mauro PORRO, Miniature in Pagine Claudio PERUGINI, Eco […]<\/p>\n\t\t\t<\/div> \n\n\t\t\t

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Flute, clarinet and piano<\/a><\/h3>\n\t\t\t\n\t\t\t

Flute, clarinet and piano * : First performance D. SOSTAKOVIC, Valzer C. SAINT SAENS , Tarantella C. Ph. E. BACH TRIO, sonata *Stefano TAGLIETTI, il circo del’aurora 2006 * Roberta VACCA “Mutilata”<\/p>\n\t\t\t<\/div> \n\n\t\t\t

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Flute and clarinet<\/a><\/h3>\n\t\t\t\n\t\t\t

Flute and clarinet * : First performance W.A.MOZART, duets from flute magic *K.BATZNER , Clockworks G.BAGGIANI, La Ronda G.SCELSI, Kho lo J JARVLEPP, Moonscape (con nastro) G.BOSCO, Di volo JOLIVET, Sonatine H.VILLA LOBOS, Choro n.2 O.J.GARCIA, Noche *G.SOLLAZZI, Evoked Potential greetings T.RILEY, In c J.CAGE, Music for K.STOCKHAUSEN, Knabenduett M.KAGEL, General bass F.NIEDER, Duale C […]<\/p>\n\t\t\t<\/div> \n\n\t\t\t

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Flute and guitar<\/a><\/h3>\n\t\t\t\n\t\t\t

Flute and guitar M.GIULIANI, Grande Sonata op.85 F.SCHUBERT, Original Tanze H.VILLA LOBOS, Distribucao de flores A.PIAZZOLLA, Histoire du Tango C.MACHADO, Piazza Vittorio M.LUCIDI, 3 movements M.PORRO, Zephir I. FIORINI “le trame del buio e della luce” (1998) Filippo DEL CORNO, Dogma 2 MAZZANTI\/ROSSINI, Fantasia O.COLUCCINO Stati (2007) Ch.G.SCHEIDLER Sonata in re major Attilio ARIOSTI Sona […]<\/p>\n\t\t\t<\/div> \n\n\t\t\t

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Flute and piano<\/a><\/h3>\n\t\t\t\n\t\t\t

Flute and piano J.S.BACH, sonata in sol minor A.VIVALDI, sonatas from Pastor Fido L.V BEETHOVEN, serenade in te major L.V.BEETHOVEN, theme and varations op.107 W.A.MOZART, sonata K14 F.J.HAYDN, sonata in sol minor G.ROSSINI, andante and scherzo G.ROSSINI , theme and varation G.DONIZETTI, sonata in do major P.HINDEMITH, sonata S.PROKOFIEV, sonata in re major D.MILHAUD, Sonatina […]<\/p>\n\t\t\t<\/div> \n\n\t\t\t

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Contemporary flute and piano<\/a><\/h3>\n\t\t\t\n\t\t\t

Contemporary flaute and piano * : First performance; ** : Dedicated to Andrea Ceccomori Giuseppe Lupis “Gounod save the queen” Massimo Munari ” Apside” *Vivian Adelberg Rudow “We Will sleep again” *Ljiljana Jovanovic “Ilumina” Raymond Jozwiak “always you” Garth Baxter “the silver run” William Milner “flute sonata” . Beatrice Campodonico Nocturne * Ingrid Arauco \u2013 […]<\/p>\n\t\t\t<\/div> \n\n\t\t\t

\n\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\"Flute\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t<\/a>\n\t\t\n\t\t\t\t\t\t\t

Flute and harp<\/a><\/h3>\n\t\t\t\n\t\t\t

Flute and harp * : First performance; ** : Dedicated to Andrea Ceccomori *M.MITSUNO “Hi-Izu” A KOBAIASHI “Reimei” *M.BARATELLO, “La tomba di Ozu” **F.SANTUCCI, “Andrea’s wistle” *G.PODIO, “L’eco delle memorie sparse” M.MESSIERI “Elegia” G.DONIZETTI, Sonata BOCHSA BERBIGUER, Nocturne J.IBERT, Entract *A. CECCOMORI Oro T. BRICCETTI Fades E. SATIE Gymnopedie ROSSINI\/CHOPIN theme and variations G.ROSSINI Andante […]<\/p>\n\t\t\t<\/div> \n\n\t\t\t

\n\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\"Flute\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t<\/a>\n\t\t\n\t\t\t\t\t\t\t

Flute and orchestra<\/a><\/h3>\n\t\t\t\n\t\t\t

Flute and orchestra * : First performance; ** : Dedicated to Andrea Ceccomori * Gianluca PODIO “Di Fedro il gioco nascosto” *Stefano TAGLIETTI, Hurbinek’s memory (2007)for flaute and arches *Lucio GREGORETTI “Ipocantico” (2007) for flaute and arches *Gianluca PODIO Il gioco dei fiori (2007) for flaute, harp and quartet of arches. *Marco LUCIDI “Percorsi” (2007) […]<\/p>\n\t\t\t<\/div> \n\n\t\t\t

\n\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\"Ceccomori\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t<\/a>\n\t\t\n\t\t\t\t\t\t\t

Ceccomori author<\/a><\/h3>\n\t\t\t\n\t\t\t

Ceccomori author Ceccomori, Ottaviucci, Cerimoniale, \/, Fl-pf, 1989 Ceccomori, Divertimento, \/, Fl, 1990 Ceccomori, Metametamorfosi, \/, 1992 Ceccomori, Musica Mundana, \/, 1994 Ceccomori, Canto d’amore, \/, 2 fl, 1994 Ceccomori, Implosione, \/, quartetto, 1994 Ceccomori, Risveglio, \/, 3 fl, 1994 Ceccomori, Rosa dei venti, \/, Ceccomori, Petali di rosa, \/, Ceccomori, Divertimento a 3, Rosada, […]<\/p>\n\t\t\t<\/div> \n\n\t\t\t

\n\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\"Courses\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t<\/a>\n\t\t\n\t\t\t\t\t\t\t

Courses and seminars<\/a><\/h3>\n\t\t\t\n\t\t\t

Il Flauto Oggi, on extended techniques and the Italian school of flute Improvisation, on free improvisation, the poor sound, the monema and the total art. The role of music and of the musician, orientation, mission, choices, professional outlets, new music and interpretation. La Via Della Musica, open to everyone: audience formation, role of music, sound […]<\/p>\n\t\t\t<\/div> \n\n\t\t<\/div> [\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

Il Flauto Oggi, on extended techniques and the Italian school of flute Improvisation, on free improvisation, the poor sound, the monema and the total art. The role of music and of the musician, orientation, mission, choices, professional outlets, new music and interpretation. La Via Della Musica, open to everyone: audience formation, role of music, sound […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":""},"yoast_head":"\nPrograms and repertoire - Andrea Ceccomori<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.ceccomori.it\/en\/programs-and-repertoire\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Programs and repertoire - Andrea Ceccomori\" \/>\n<meta property=\"og:description\" content=\"Il Flauto Oggi, on extended techniques and the Italian school of flute Improvisation, on free improvisation, the poor sound, the monema and the total art. The role of music and of the musician, orientation, mission, choices, professional outlets, new music and interpretation. La Via Della Musica, open to everyone: audience formation, role of music, sound […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.ceccomori.it\/en\/programs-and-repertoire\/\" \/>\n<meta property=\"og:site_name\" content=\"Andrea Ceccomori\" \/>\n<meta property=\"article:modified_time\" content=\"2022-01-04T10:33:33+00:00\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\">\n\t<meta name=\"twitter:data1\" content=\"Daiana Protti\">\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\">\n\t<meta name=\"twitter:data2\" content=\"3 minutes\">\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.ceccomori.it\/#website\",\"url\":\"https:\/\/www.ceccomori.it\/\",\"name\":\"Andrea Ceccomori\",\"description\":\"Musicista e Flautista\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":\"https:\/\/www.ceccomori.it\/?s={search_term_string}\",\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.ceccomori.it\/en\/programs-and-repertoire\/#webpage\",\"url\":\"https:\/\/www.ceccomori.it\/en\/programs-and-repertoire\/\",\"name\":\"Programs and repertoire - Andrea Ceccomori\",\"isPartOf\":{\"@id\":\"https:\/\/www.ceccomori.it\/#website\"},\"datePublished\":\"2021-10-12T19:19:57+00:00\",\"dateModified\":\"2022-01-04T10:33:33+00:00\",\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.ceccomori.it\/en\/programs-and-repertoire\/\"]}]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","_links":{"self":[{"href":"https:\/\/www.ceccomori.it\/en\/wp-json\/wp\/v2\/pages\/1426"}],"collection":[{"href":"https:\/\/www.ceccomori.it\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.ceccomori.it\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.ceccomori.it\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ceccomori.it\/en\/wp-json\/wp\/v2\/comments?post=1426"}],"version-history":[{"count":3,"href":"https:\/\/www.ceccomori.it\/en\/wp-json\/wp\/v2\/pages\/1426\/revisions"}],"predecessor-version":[{"id":1475,"href":"https:\/\/www.ceccomori.it\/en\/wp-json\/wp\/v2\/pages\/1426\/revisions\/1475"}],"wp:attachment":[{"href":"https:\/\/www.ceccomori.it\/en\/wp-json\/wp\/v2\/media?parent=1426"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}